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They decide to resurrect an elaborate obsolete scam known as "the wire", using a larger crew of con artists to create a phony off-track betting parlor.
Aboard the opulent 20th Century Limited , Gondorff, posing as boorish Chicago bookie Shaw, buys into Lonnegan's private, high-stakes poker game.
Hooker, posing as Shaw's disgruntled employee Kelly, is sent to collect the winnings and instead convinces Lonnegan that he wants to take over Shaw's operation.
Kelly reveals that he has a partner named Les Harmon actually con man Kid Twist in the Chicago Western Union office, who will allow them to win bets on horse races by past-posting.
Meanwhile, Snyder has tracked Hooker to Chicago, but his pursuit is thwarted when he is summoned by undercover FBI agents led by Agent Polk, who orders him to assist in their plan to arrest Gondorff using Hooker.
At the same time, Lonnegan has grown frustrated with the inability of his men to find and kill Hooker for the Joliet con.
Unaware that Kelly is Hooker, he demands that Salino, his best assassin, be given the job. A mysterious figure with black leather gloves is then seen following and observing Hooker.
Kelly's connection appears effective, as Harmon provides Lonnegan with the winner of one horse race and the trifecta of another. Polk forces Hooker to betray Gondorff by threatening to incarcerate Luther Coleman's widow.
The night before the sting, Hooker sleeps with a waitress named Loretta. The next morning, he sees Loretta walking toward him. The black-gloved man appears behind Hooker and shoots her dead.
She was Lonnegan's hired killer, Loretta Salino, and had not yet killed him because they were seen together.
The gunman was hired by Gondorff to protect Hooker. As the race begins, Harmon arrives and expresses shock at Lonnegan's bet: when he said "place it" he meant, literally, that Lucky Dan would "place" i.
In a panic, Lonnegan rushes the teller window and demands his money back. A moment later Polk, Lt.
Snyder, and a half dozen FBI agents storm the parlor. Polk confronts Gondorff, then tells Hooker he is free to go.
Gondorff, reacting to the betrayal, shoots Hooker in the back. Polk then shoots Gondorff and orders Snyder to get the ostensibly respectable Lonnegan away from the crime scene.
With Lonnegan and Snyder safely away, Hooker and Gondorff rise amid cheers and laughter. The gunshots were faked; Agent Polk is actually Hickey, a con man, running a con atop Gondorff's con to divert Snyder and ensure Lonnegan abandons the money.
As the con men strip the room of its contents, Hooker refuses his share of the money, saying "I'd only blow it", and walks away with Gondorff.
Screenwriter David S. Ward has said in an interviews that he was inspired to write The Sting while doing research on pickpockets, saying, "Since I had never seen a film about a confidence man before, I said I gotta do this.
They don't have to know how a scheme works, and they don't mind a twist or two, but it's important for the story to feature clearly recognizable 'good' and 'bad' characters.
He also imagined an underground brotherhood of thieves who assemble for a big operation and then melt away after the "mark".
Rob Cohen later director of action films such as The Fast and the Furious years later told of how he found the script in the slush pile when working as a reader for Mike Medavoy , a future studio head, but then an agent.
Universal bought it that afternoon, and Cohen keeps the coverage framed on the wall of his office. David Maurer sued for plagiarism, claiming the screenplay was based too heavily on his book The Big Con , about real-life tricksters Fred and Charley Gondorff.
Ward, who claimed he had used many nonfiction books as research material and had not really plagiarized any of them.
Ward originally wrote Henry Gondorff as a minor character who was an overweight, past-his-prime slob, but once Paul Newman became associated with the movie, Gondorff was rewritten as a slimmer character and his part was expanded in order to maximize the second partnership of Newman and Redford.
Newman had been advised to avoid doing comedies because he didn't have the light touch, but accepted the part to prove that he could handle comedy just as well as drama.
Newman needed a hit considering his last five films that he had made prior to The Sting had been box-office disappointments.
Much to her relief, Newman had sent the script to Robert Shaw while shooting The Mackintosh Man in Ireland to ensure his participation in the film.
Philips's book asserts that Shaw was not nominated for a Best Supporting Actor Academy Award because he demanded that his name follow those of Newman and Redford before the film's opening title.
Shaw's character's limping in the film was authentic. Shaw had slipped on a wet handball court at the Beverly Hills Hotel a week before filming began and had injured the ligaments in his knee.
He wore a leg brace during production which was hidden under the wide s style trousers. Hill decided that the film would be reminiscent of movies from the s and watched films from that decade for inspiration.
While studying '30s gangster films, Hill noticed that most of them rarely had extras. So I deliberately avoided using extras. Along with art director Henry Bumstead and cinematographer Robert L.
Surtees , Hill devised a colour scheme of muted browns and maroons for the film and a lighting design that combined old-fashioned s-style lighting with some modern tricks of the trade to get the visual look he wanted.
One of them was his own one-of-a-kind Pierce-Arrow , which served as Lonnegan's private car. As of August , it is the 20th highest-grossing film in the United States adjusted for ticket price inflation.
One forgives its unrelenting efforts to charm, if only because The Sting itself is a kind of con game, devoid of the poetic aspirations that weighed down Butch Cassidy and the Sundance Kid.
Ward's finely-crafted story of multiple deception and surprise ending will delight both mass and class audiences.
Extremely handsome production values and a great supporting cast round out the virtues. It creeps cranking on, section after section, and it doesn't have a good spirit.
In , the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
The Writers Guild of America ranked the screenplay 39 on its list of Greatest Screenplays ever written.
The film won seven Academy Awards and received three other nominations. The soundtrack album, executive produced by Gil Rodin , included several Scott Joplin ragtime compositions, adapted by Marvin Hamlisch.
According to Joplin scholar Edward A. Berlin , ragtime had experienced a revival in the s due to several separate, but coalescing events:. Inspired by Schuller's recording, Hill had Hamlisch score Joplin's music for the film, thereby bringing Joplin to a mass, popular public.
There are some variances from the film soundtrack, as noted. Joplin's music was no longer popular by the s, although its use in The Sting evokes the s gangster movie The Public Enemy , in which Joplin's music appeared.
The album sequence differs from the film sequence, a standard practice with vinyl LPs, often for aesthetic reasons. Some additional content differences:.
Mark Hollmann and Greg Kotis music and lyrics , writer Bob Martin , and director John Rando created a stage musical version of the movie.
Its "making of" featurette, The Art of the Sting , included interviews with cast and crew. The film was released on Blu-ray in , as part of Universal's th anniversary releases.
From Wikipedia, the free encyclopedia. This article is about the film. For other uses, see Sting. Theatrical release poster alternate design. Release date.
Running time. William Snyder, Joliet P. Ray Walston as J. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources.
Unsourced material may be challenged and removed. The Entertainer. A live performance of "The Entertainer", by Scott Joplin.
The sulky bratt is about to get exatly what he deserves. Click Here or on the Read More tab below to see more. If red lines are crossed they can be re added elsewhere!
Sixth Formers — Blazing Encounters. To make sure he understands this edict his Housemaster lays on a stinging spanking, starting on the seat of his underpants.
Then on his bare bottom. Click Here or on the Read More tab below to see more of the story and pictures plus a video preview.
Discipline is firmly administered in the day to day life at Coombe Hall College. Eventually their luck runs out and they will have to face the consequences of their often foolish actions.
This is certainly the case of Pete Castle Oscar Hart and Ralf Trueman Robbie Kasl in their stupidity whilst grabbing a quick smoke in the changing rooms they nearly set the College on fire!
A very annoyed Headmaster orders them back to the changing rooms to be dealt with. They are both going to get a thoroughly good spanking.
Click here or on the read more tab below to see the pictures and Storyline. Starring James Holt and Marco.